内详
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Clément Beauvais
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在这部“芳香馥郁”的纪录片中，Dior迪奥首席调香师François Demachy将带领观众深入探索香水制作的个中奥秘。自2006年起，电影制作人耗时两年之久，追随调香师走遍法国和世界各地，只为甄选优质原材料。影片介绍了投身保护香水制作的悦人馨香、精湛工艺和祖传技术的相关人士，歌颂美丽和自然的守护者。香水创作远非孤军奋战，而是才华横溢的有志之士共同努力的成果，而这其实也是调香师本人所诠释的香水奥秘的关键所在：“我最喜欢的工作内容是人类探险活动，是知识和见解的交流，同时也是我们对自然的热爱。”
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Fritz Ofner,Eva Hausberger
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"They never fail." The Glock pistol has been fetishised in films and the arts, and is a regular topseller in the international arms market. For the first time, the filmmaking duo Fritz Ofner and Eva Hausberger tell the story of the rise of the Glock: An Austrian design that became the most sought-after service and murder weapon worldwide. Tracing the web of power, money, violence and politics, the film masterfully portrays the dark sides of globalisation and not least an Austrian tale of willful ignorance.
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Lori Vallow was known to friends and family as a devoted mother of three, a loving wife, and a woman of God. But over the past three years, something went very wrong: Now Lori is in jail, waiting to stand trial for conspiracy to commit murder and first-degree murder in connection with the deaths of her fourth husband, her fifth husband’s wife, and her two youngest children. For the first time, Lori’s surviving son Colby steps forward to provide exclusive insight into his family’s backstory as well as their present-tense narrative as Lori faces justice. At the heart of this three-part series is a single burning question: how did a seemingly normal woman become the most notorious mother in America?
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Jacquie Lawrence
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What do you picture when you think of King’s Road? The swinging 60s? Vivienne Westwood pioneering punk fashion? One notable establishment in this enclave of history that’s often forgotten about is Gateways, London’s longest-surviving lesbian club. Alongside a host of its patrons over the years, Sandi Toksvig highlights the legacy of the club from its original owner, who won it in a poker game, to its blossoming into a hotspot and safe space for lesbian life. From its signature green door to the risqué dance move that gives this film its name, Gateways was a crucial part of London’s queer history. In this charming and informative film, it’s celebrated in all its glory.
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Lado Kvataniya
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Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
